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The Green Room

The Green Room: As You Like It

Join us for a live Q&A with the creatives behind our upcoming production of As You Like It.

Director Braden Abraham and Music Director Michael Mahler will share insights into how this musical seamlessly blends Shakespeare’s timeless words with catchy original songs—and why they’ve chosen to set Writers Theatre’s production in 1920s Chicago.

Can’t make it live? Don’t worry! A podcast featuring highlights from the conversation will be available in a few weeks.

Featuring

Braden Abraham

Director

Braden Abraham joined Writers Theatre as the Alexandra C. and John D. Nichols Artistic Director in 2023. He comes to Writers from Seattle Rep, the largest resident theatre in the Pacific Northwest, where he advanced the organization as a director and producer, including the development and premiere of many new plays. He directed six world premieres for Seattle Rep and over 20 productions including: True West, Clybourne Park, Photograph 51, Ibsen in Chicago, Betrayal, Luna Gale, A View from the Bridge, A Great Wilderness, Breakin’ Hearts and Takin’ Names, and Who’s Afraid of Virginia Woolf?. 

Among his initiatives as Artistic Director, Braden committed Seattle Rep as one of the first partner theaters to bring the Public Theater’s model for the Public Works program across the country. Seattle Rep’s Public Works strengthens community connection through making ambitious productions of participatory theater. Braden also re-envisioned the New Play Program, commissioning and premiering plays by Anna Zeigler, Samuel D. Hunter, David Grimm, Justin Huertas, Samantha Silva, Cheryl L. West, and Karen Hartman, and supported the work of dozens of playwrights and directors through premieres and the Other Season development lab. Many projects developed through this program went on to acclaimed runs at Seattle Rep and around the country including Irene Sankoff and David Hein’s Come From Away, Cheryl L. West’s Shout Sister Shout!, Erica Schmidt’s Mac Beth, and Kate Hamill’s Pride and Prejudice.  Under his leadership, Seattle Rep was the only theater outside New York and London to present David Byrne’s Here Lies Love. Most recently, Braden initiated 20x30: Reimagine the Anthropocene, to commission twenty new plays by the year 2030, and New Directions, a unique commissioning program designed to support generative work from directors. 

Around the country, Braden has developed new work at Ojai, O’Neill, Denver Center, and Perseverance Theatre. He has been a guest artist at Stanford, Gonzaga, Seattle University, and the University of Idaho. He conceived and developed Way Stations, a series of interactive walking tours in Seattle for the Northwest New Works Festival at On the Boards and is the co-creator of Gordon Hempton: Let it Happen, an audio installation about the life and work of Emmy-Award winning sound ecologist Gordon Hempton. He is married to Cheyenne Casebier and the proud papa of Phoenix Faye Abraham.

Braden Abraham

Michael Mahler

Music Director

At Writers Theatre: As You Like It, Into the Woods, and Parade

Michael performed as The Baker in Into the Woods at Writers Theatre. He is an Ensemble member of American Blues and has performed there in It’s a Wonderful Life: Live in Chicago!, Buddy – The Buddy Holly Story (Jeff Award – Best Music Direction), Little Shop of HorrorsHank Williams: Lost Highway, and Side Man. Other recent roles include The Baker in Into the Woods (Writers); Jim Hardy in Holiday Inn, and Jack Singer in Honeymoon in Vegas (Marriott Theatre). Michael co-wrote the songs for the Netflix movie My Little Pony: A New Generation and contributed additional lyrics to Cameron Mackintosh’s most recent Broadway production of Miss Saigon. Other works as a composer/lyricist include The Secret of My SuccessMiracle (Jeff Award – Best New Work), Diary of a Wimpy KidOctober SkyThe Man Who Murdered Sherlock Holmes (Jeff Award – Best New Work), and Hero (Jeff Award – Best New Work). Michael is married to Dara Cameron and proud father to their son Ezra.

[Bio as of October 2025]

A photo of Michael Mahler

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